| Perfume |
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| 05:37pm 09/08/2009 |
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In the dark there is a whistle marking your timed sequences pollen harvested in summer like a fish in an arena of mosquito doors |
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| Silence, healing |
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| 02:06pm 01/08/2009 |
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These things just add weights to the world. They're good for that but they're not the reason I'm here. What I need to do is. I must have spent 10 whole moons leaning against the wall not taking eyes off. Things there. Unbound, palm-sized, walled over. The street-window and muscles and fruits. There are a few things you think about only because you think about them. The following for Rimbaud on the wall I don't speak and I think of nothing but love is. Flight. Cellophane. Cellular marketing. Like popcorn in the library. |
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| Waiting |
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| 07:05am 16/07/2009 |
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In fire, replace. She tries most truthfully for flavor, their arms like wax. A turtle softly.
Purely then we notice the staring in lines of wood. The pigeons here speak only of green foxes. Foxes with roses in their fur and asteroids of flesh peering over their fates. Filtered over the side like lonely orange juice.
The clouds of far-off lice.
I am like the color of the sun. The bronze is a liar. |
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| 11:25am 30/06/2009 |
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The girl in blue gathers you
You continue to be intimidated by your not-unlike lesson. |
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| Poppies/You Look Like You Live on a Fish |
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| 11:56am 07/06/2009 |
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Do you know what's all over the place these days the incidences pure spoon
Forevermore the firecrackers mangled towards freedom bewilderingly, palely, stolen from others' minds a lost faking this winter. The stag was a hat in supermarket aisles. The donkey
was worn privately
in your ear. |
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| Feeding them Orchids |
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| 10:51am 04/06/2009 |
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You've only met and the asphalt rings salty paper envelope tears in a mother a norm nearly all the broken bats here come from Nan a correlation between banks your iris and the profound handle for fire and dawn. |
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| Jade wooden boards |
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| 10:07am 27/05/2009 |
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For a pearl-maker's sake, rest here in brilliance In a pearl-maker's state the ashes and human liking just a little Ask the daughter the danger of sheep's eye colored storm Asking the daughter the window in your ear mistake
Especially the moon, we moon Fishers in escape buttons
and the only peaceable mistake in the loneliest the loneliest sparkle the only sparkle in landed boxes buttons buttons buttons
Stumbling, you realize that the effort made to grow a tomatoe is equivalent to a bowl of thorns in your stomache, to the feeling of a young person's arrears. These feelings lengthen while talked about on the floor. This is intolerably harsh for them. The only acorn the acorn of artichokes. The only heart the heart of fawn. In Anartica. |
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| the natural consistency of things |
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| 07:06pm 07/05/2009 |
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Need I say more, my archlight of words. A watermelon on a pier turning avidly the color of strings is a bandage to strangers' arms in avalanche, makeup slowly to a pine cone waves slowly at passing at tears then in blue and white stripes
the blue is a pale brown the color of summer. |
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| Fiddle-head Ferns |
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| 11:28am 02/05/2009 |
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minimum time is dangerous minimum time forward bending time pale orange cells not worth numbering more and more's the cloudy with us
i am wearing a mire of sad belongings, left miserly waiting for the storm of pale lilies, in a life of making turtles square. push back this lace feeling just a little, and your flash bulbs squeal in the fire. The Sunday in the air in glorious coves.
The coves are various as milk. As milk they seem to stumble and turn vague, an armful of pale sirens.
You are crying. |
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| Rosemary Salamander |
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| 09:19am 25/04/2009 |
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August in marigold you drove the lamplight peeking drowned almonds pure the chrysanthemum
chasing needles
dear lavender, your pales retract where is the hypertext in this organized melancholy? It is lit underneath with furs and furs, a barrage for yes, men feel the persistence of chasing flies in their totalitarian mirrors. It is non-relational, like powder forest. A muse and a moss-laden lake in two tones of fire, making up to art for faking a deer through a shortcut.
Proper sounding vibrations leak their chances necessitating barbarous gears. The owl sleeps in a fancy of mice and farmers, and a golden carriage cries throwing thorns outside the windows meaningfully in starts and stops of our videos. The thorns are caught in little puddles of silk.
There are sweaters and sweaters for warming ink. Pillars and face-masks for canceled appointments. And a madrigal in two parts, a burning in the tree, the window forced open in a gasp of cerulean satin.
Oh poison how involved you are with kidnapping choices pincer-like and fat. |
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| Chairs |
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| 11:19am 19/04/2009 |
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The capability to burnt bad feelings. Pale in insect. In that velvet, pouring stones. My sleeves caught in all the air. Salt and sweet stairs with lime underfoot. I am the care-giver, I am carp, and unemployed.
Who can digest paint. Incompact and marveled at, you tore pale combs of starts. This week and the next, the grocery awaits in clumps.
You are one and living. |
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| grace incarnadine |
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| 07:52pm 13/04/2009 |
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tomatoe clown
The nearest chests eve hindsight, propelled forward by freight trains their arms. Ancient, in fire houses. The countertops stop the flowing liquid with reaching eyes. Zippers and barbers.
And however believers matter to tomatoe clowns their spines the bones of leaves the gecko clacks. The zipper catches.
Close it, the refrigerator, your arm. Light withers in your spoon. Want/not-want, a line a clothing-line of silence across your hangings stiffen and blacken in the wind of tongues your dearlings pale and crisp in the hearts of your fingers, and you lose magic in carpet-long lines of moss across your forehead, a star the finch. In market-stalls across your back your potatoes fall and you swim across to safety, your mysteries de-laced, non-figured, pearl-pink and sandpapery. |
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| Eastern bluebird |
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| 08:04am 13/04/2009 |
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Today is what, the day of light geese, without a trace, a falling of the f. It is the milk and it is not. Forgotten, covered a vague pink, lashed at the shore. The house in work. The floors in mess. The branches trodden to pieces like the stripes in your elbow.
Following the events of yesterday night a helicopter appeared blase in crayon ink spilled two quarters of the way between your heart and your neighbor's dog I hope that this clarifies matters And one of the blue.
Two hours ago she drove by here. I said, there is only the balloon merchant left now to viscerally descend your predicate. Let me know when to enchant him and I will make sure he has your flower number on a slip of charcoal inside his cheek. A tiny, knife-thin, sliver of simmering shadow with which to rub your eyes.
There, compare that, you magistrates. Your hall of wax.
Flour. |
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| Charcoal-Chattering of Knives |
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| 07:39am 08/04/2009 |
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Perhaps in erased rivers. Your veins overcooked. A bar in your eye like a cloak.
The rib turned 40 degrees under the cover of eyelashes. You waded through the eyelashes in order to discover. The stranger and thinner you are.
Anyone interested in the little leaves of room. |
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| Picturing them |
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| 10:51am 30/03/2009 |
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Only a mincing pike your softness.
You totaled the life-grain. A color gone badly masked.
The rain was feverish. You lost your hands in the capacity to eat mangoes.
In the train except the rain, perhaps the rain. |
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| butternut squash |
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| 09:48am 28/03/2009 |
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Although marigolds there swelter in your shrouding, cure them a little. Your carpet is like a bed of eyes. The cats licked, and the feet.
Heart-felt prisoners in escapees of dawn, crunching your fern-and-powder patience, you realize. Their limbs.
Messages were taken from the flashbulbs for a jewelry of mischance. |
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| Undocumentation |
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| 04:46pm 26/03/2009 |
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Paintings there verified torn ever-lasting constructs of peace and orange paper monsters. The monsters wore paper and married paper. This was the only fire.
Of clovers and marble ships. Waving and waving to the construction paper corporate buildings. We were twins then, on that shine of river, that river the foundations of cross. Shining, yes. If only two blues had carried our alliances across at the pace of frozen dirt. We would have wept slow tears at this turn of the letter, the turn of stew, torn in half.
My paper hearts in your taxis, the allowances of mud. I forever forget then the blue lines channeling your poor balanced ball-point.
If mummies, then chocolate. If little girls full of pins and stored away ribbons pulling at the handles of pine drawers full of brain, then slowly, slowly, slowly, take apart this mouth, how it came about, the snow in the thick balanced bunches and. And the migraine that started it all, see if you want to cry out of your skin. Your own and hers. Like a flower bleating in the wind. |
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| Paper boats |
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| 04:41pm 26/03/2009 |
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So long, and all that face. It only places my answers vertically, not genealogically, tailor-like. There is a paint.
We could, if we were alive.
And there are a million and two flavors of mice in your pupils, scattering when the pale of words sheds on them, from afar or near, from pristine or from the epistolographical center, the fears, the terms--from NN to...this is a letter of thanks. Thanks and thanks. For coloring, for smiling out of many teeth, for, what is it. Browned alive.
Does this answer your initial query, does this form some kind of light with which to tear your tongues in their hands? Is it. |
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| Geese leaving |
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| 10:37am 24/03/2009 |
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Marry, so well-behaved then like a circlet to a pear of infinite gratitude, fire in the bracelet. Bracelet. Bracelet. Crow. Inside this hand have no supper, no ants, no meaning for wavering illusions in, if you'd like to see what we can be. The geese in a jar.
No winding twinkling needle pockets of solar fractals. The reason for station shoes.
No living, no fear, and no, no, none at all even cherry.
Opaque, you. Always a tour, a nest of wild animals beating slowly in rhyming meter the meter your spine in four quarters. Nonsense, leaving.
Your bounty, O chief of lots, so square as to be solid, so humpbacked as soy-sauce, so linking, leaking, like the generosity of pears. "This is the necklace string of time!" |
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| Chlorophyl in the Stem |
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| 10:19am 24/03/2009 |
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Nonetheless shimmered in yards of boat-string.
Favors.
Invoilably, and of course, with an evidentiary value that exceeded this end. There lapped in flavored pacemakers, charm. Hold on, there's the bite, the marmalade.
The reasons for your sleeping patterns and for your reasons of fish. Cast down and followed by a sip of blue wine, papered and skinless. Seems, madam? Your manumission awaits, in large shadows like a jar housing a thief, thieves, thieves in scarves. This period is your home, under the camphor tree, under, the stairlit doorframe, where your mind awaits like crouching dogs, pears in their mouths, their heads like seeming rainbows, rock-thin. I pull myself back when I think I want to say, I love you, too. That sounded like a duck.
Increasingly, the maple. |
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